Postmodern necrologies. Vanguardism, cyberculture and interactive mutations

Authors

DOI:

https://doi.org/10.33539/comunife.2022.n22.2680

Abstract

The emergence of the avant-garde ended up affecting the categories that until then had served to satisfactorily interpret a multiplicity of phenomena that resulted in unstable and chaotic fluctuations, and determined qualitative changes in the so- cio-cultural structures of the planet, transformations that will have quantitative repercussions in the arts and historical culture. In this context, the idea that post- modernity succeeds modernity is somewhat complicated, due to the resistance of a certain intellectual sector in terms of validation and invalidation of the concept. Nevertheless, the factuality of elements that refer to a new symbolic-practical or- der, which in the arts associated with ICT gave rise to interactive “avant-gardes”, deojectualized and delocalized in a neo- or post-avant-garde spectrum, in which the electronic and biotec edial art, ended up assuming a partial protagonism.

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Author Biography

Rafael Ojeda, Universidad Nacional Mayor de San Marcos Lima-Perú

Escritor, periodista e investigador en ciencias sociales por la universidad nacional mayor de San Marcos. Magister en gestión estratégica por la Pontificia Universidad Católica de Lima. Desde hace más de dos décadas escribe para diversas revistas de actualidad política, social y cultural del Perú, América Latina y Europa. Ganador del Concurso de Investigaciones y Tesis del Consejo Superior de Investigaciones de la Universidad Nacional Mayor de San Marcos (2009); ganador del Premio Literario de Ensayo: “25 años del Cecupe” (París, 2011).

Published

2022-12-06

How to Cite

Ojeda, R. (2022). Postmodern necrologies. Vanguardism, cyberculture and interactive mutations. Comunifé, 22(XXII), 11–22. https://doi.org/10.33539/comunife.2022.n22.2680