Sketches on Truth and "Method" in "The Origin of the Work of Art" by Martin Heidegger Jonathan Eduardo Alvarado Ramos

Authors

  • Jonathan Eduardo Alvarado Ramos Pontificia Universidad Católica del Perú

DOI:

https://doi.org/10.33539/phai.v18i1.1376

Keywords:

Concept, essence, truth, method, art, de-concealment, world, earth, metaphysics, aestheticsey words

Abstract

In this paper, sketches are given on the notion of truth as de-concealment and the "method" of Heidegger in the lecture of "The origin of the work of art". The question that allows us to open our text is: What does Heidegger intend when he asks about the origin of the work of art? From this question we will describe the Heideggerian notions of origin (Ursprung), truth (Unverborgenheit), world (Welt), earth (Erde). Finally, we will examine how these notions differ from traditional concepts and point to an area prior to metaphysics or aesthetics

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Author Biography

Jonathan Eduardo Alvarado Ramos, Pontificia Universidad Católica del Perú

Cirujano Dentista por la Universidad Nacional de Trujillo, Licenciado y Magíster en Filosofía por la Pontificia Universidad Católica del Perú (PUCP), se desempeña como docente de los cursos de Lógica, Ética, Ciencia y Filosofía y Argumentación en la PUCP.

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Published

2019-06-30

How to Cite

Alvarado Ramos, J. E. (2019). Sketches on Truth and "Method" in "The Origin of the Work of Art" by Martin Heidegger Jonathan Eduardo Alvarado Ramos. Phainomenon, 18(1), 96–105. https://doi.org/10.33539/phai.v18i1.1376

Issue

Vol. 18 No. 1 (2019): Phainomenon: Revista del Departamento de Filosofía y Teología

Section

Artículos